This post is taken from an article published in the August edition of the Canadian Music Educator.
During the summer of 2008 Bologna, Italy hosted the 28th conference for the International Society of Music Education (ISME). I had the privilege of attending this conference and in this article I am reporting on some of the exciting presentations and discussions related to the integration of information and communication technology (ICT) in music education that took place during the conference.
As part of a symposium session Samuel Leong (Hong Kong) presented Strategies for enabling curriculum reform: Lessons from Australia, Singapore and Hong Kong.
Using these countries as examples, Leong presented strategies for implementing change to policies related to ICT literacy to ensure students acquire an adequate level of ICT literacy during their school years. This was a practical and informative presentation from a person who has been at the centre of wide-scale educational reform for many. Leong discussed his top-down approach to educational change and his views on how policy makers can be moved to see and support issues that are truly important to education.
The establishment of ICT literacy standards was echoed in several sessions, such as the inspirational plenary session on the Music Manifesto by Marc Jaffrey (U.K.) as well as a presentation by Marina Gall (U.K.) entitled Teacher training and technology. Gall’s work investigates ICT competency levels in music education as it relates to music teacher training in the U.K. Establishing ICT literacy standards for music teachers and students was viewed by many conference participants as a critical first step in the effective integration of ICT in our music programs.
A great deal of synergy amongst international European researchers was evident at the ISME conference. As part of a symposium session entitled Developing reflective learning in a virtual world researchers from the U.K., Sweden and Greece presented The prelude project. With music teacher training as a focus, the researchers have created resources to raise teacher ICT literacy levels in the participating countries.
Issues related to online specific curriculum and content development were presented by Jennifer Nakashima (Canada). She presented her paper entitled Issues and challenges in developing experiencing music 2200 for web-based delivery: A critical case study.
I had the honor of presenting a paper entitled, Web-based music education: An exploration of learning objects as examined through the lens of the American psychological association’s learner-centered psychological principles. Much discussion and follow-up has taken place since the presentation as educators consider how online tools and strategies can be used to address the needs of all learners.
Learning Irish traditional music on the tin whistle via the Internet was the focus of a presentation given by Janice Waldron (Canada) and Kari Veblen (Canada) entitled, The medium is the message: Cyberspace, community, and music learning. The researchers have taken inventory of the numerous Internet-based opportunities for learning to play the tin whistle. These were examined and assigned a degree of ‘cool’ to ‘hot’ based on their level of interactivity. Online resources such as static web pages were deemed ‘cool’ while highly interactive ‘communities of practice’ were given the label of ‘hot.’ This is a very exciting study for it will help educators understand the numerous and varying opportunities for learning music via the Internet and how these learning opportunities can accommodate various learning preferences. Waldron and Veblin were also focused on effective pedagogical practice as well as the social dynamics inherent in these online communities of practice.
The work being done by Waldron and Veblen helps to illustrate the vastness of online educational content, but also reveals the barrier of language in this context. Non-English speaking participants were quick to point out that although there is a wealth of computer-based music education content available not all languages are represented equally.
Alex Ruthmann (U.S.) presented his work on the uses of online social networking tools in the teaching and learning of music. His presentation was entitled Strategies for supporting music learning through on-line collaborative technologies. Ruthmann gave compelling insight into how he uses online tools such as wikis, blogs and Ning to enhance his conventional music teaching. His talk was rooted in the idea that these tools should be used to empower the students to achieve the curriculum outcomes and enhance the learning process rather than just be used for the sake of using a new piece of technology.
ICT in music education was well represented at the 2008 ISME conference with far too many compelling discussions and presentations to include in this article. The creativity and innovation taking place in this field of education is inspiring. As ICT tools and strategies become more accessible we are presented with exciting opportunities to provide our students with exciting and relevant opportunities for growth and collaboration.
- Andrew Mercer